No backpacks or weapons. All persons and bags subject to inspection at time of doors.

This is the fastest and easiest way to get your tickets. With print-at-home, you can either print your ticket or just show them on your smartphone. When you arrive at the event, you can skip the ticket booth and go straight in to have your tickets scanned off the paper or your smartphone.

Print-at-Home - Free

Tickets will be held at will call and must be picked up on the day of the event. The ticket holder will need a valid ID and all tickets must be picked up at the same time.

WILL CALL - Free

<font face="tahoma" size="2">​MUSTARD PLUG - www.facebook.com/mustardplug<br><br></font><div><font face="tahoma" size="2">Mustard Plug started out in the punk clubs, basements and dive bars of the Midwest, playing punk-influenced ska music before most people in the U.S. had ever heard of ska. They clung to a DIY work ethic that had been ingrained in them growing up in the 1980′s hardcore punk scene and applied it to everything they would ever do together as a band. Mustard Plug released their first cassette tape themselves (1992′s Skapocalypse Now!), and played constantly to earn enough money to record their first album – 1994′s Big Daddy Mulititude. Their debut full length was released on legendary NYC label Moon Records (home of Toasters, Hepcat, Dance Hall Crashers, and pretty much every other 90′s ska band of note). With their new found national distribution and exposure, the band climbed into their van and performed their music to new fans across North America. Twenty-one years, 1500 shows and 200,000 album sales later, it cannot be denied that the band has surpassed all expectations and permanently staked their claim in contemporary music.</font></div><div><font face="tahoma" size="2"><br></font></div><div><font face="tahoma" size="2">For their new album, “Can’t Contain It”, Mustard Plug have returned to the DIY blueprint that the band was built upon, while at the same time embracing all the school of hard knocks craftsmanship and wisdom that the band has earned along the way. The band spent the last several years writing new material that was informed by 22 years of songwriting experience while retaining the youthful energy that has endeared them to their fans. They tracked the record at bassist Rick Johnson’s Cold War Studios, giving them the flexibility to experiment and add new layers and dimensions that were not possible given the time constraints on their previous recordings. Many of their musician friends(Dan Potthast, Sean Bonnett, Mark Petz, Corey Ruffin) were tapped to contribute, creating a denser, more intricate sound.</font></div><div><font face="tahoma" size="2"><br></font></div><div><font face="tahoma" size="2">Once the recording process for Can’t Contain It was complete, the band turned to their fans to help finance the mixing and production of their record. Their Kickstarter campaign surpassed all their expectations, doubling their initial goal and re-confirming the support and love of their audience. The tracks were then sent to be mixed at Bill Stevenson’s Blasting Room Studios where Mustard Plug had recorded 3 of their previous albums (including 1997’s breakthrough “Evildoers Beware” and 2007’s “In Black and White”). The result is possibly their most diverse and best record to date.</font></div><div><font face="tahoma" size="2"><br></font></div><div><font face="tahoma" size="2">After tapping their friends and fans to help out with the recording, the band turned to more of their posse to collaborate on the artwork. Underground icon Jeff Rosenstock designed the album packaging, while noted artists Craig Horkey and Larry Kole created alternative limited edition album covers and posters. The final piece came together when at the last minute, No Idea record founder, Var Thelin heard the record and offered to partner with the band on its release. Mustard Plug is excited to be given the opportunity to collaborate with a label known for its’ strong punk rock ethics and underground credibility.</font></div><div><font face="tahoma" size="2"><br></font></div><div><font face="tahoma" size="2">Ultimately, this release is about the community Mustard Plug has built during its’ 22 year existence. Coming full circle back to the DIY scene and the community that the were born out of has helped them to put out their best record to date.</font></div><font face="tahoma" size="2"><br>BUCK-O-NINE - www.facebook.com/buckonine<br><br></font><div><font face="tahoma" size="2">Don’t call it a comeback because Buck-O-Nine never left us. Since forming in San Diego nearly three decades ago, the celebrated ska-punk septet have continued to consistently perform live to fans both old and new. In that spirit FunDayMental, their first album in 12 years, proves that time has only made their songwriting skills stronger. The band’s sixth full-length sees them once again combining elements of reggae, rocksteady, rock and punk into a unique amalgam of music that the act has pioneered since 1991. Amazingly, their lineup also features six out of seven founding members and their “newest” musician, bassist Andy Platfoot, has been in the band for 19 years. That sort of history makes Buck-O-Nine less of a band than they are a family and that dynamic is evident on all 14 songs on FunDayMental, which includes the band’s new material alongside reworked versions of fan favorites “My Town” and “Irish Drinking Song.”</font></div><div><font face="tahoma" size="2"><br></font></div><div><font face="tahoma" size="2">Although frontman Jon Pebsworth and guitarist Jonas Kleiner had kicked around the idea of recording a follow-up to 2007’s Sustain for years, the real catalyst for FunDayMental was when Cleopatra Records asked the band to contribute a song for their 2017 compilation, Punk Rock Halloween: Loud, Fast &amp; Scary. “When we sent in the song, the label was really excited about it and asked if we’d want to do an entire album and it just felt like the right time,” Pebsworth explains. (A re-recorded version of that song, “Don’t Be Afraid,” is also included on the album.) However the process of writing and recording wasn’t quite as straightforward as many of the members of Buck-O-Nine—which also features trombonist Dan Albert, trumpet player Tony Curry, drummer Steve Bauer and saxophonist Craig Yarnold—are currently spread out across the country. However thanks to modern technology, the band members were able to email files and song ideas to each other, which allowed these songs to take form without them needing to physically be in the same room.</font></div><div><font face="tahoma" size="2"><br></font></div><div><font face="tahoma" size="2">“It was pretty wild because each guy had guy a little spot set up in their house where we could each record and we would all spend a lot of late nights, texting and talking and hashing out song ideas while our families were asleep,” Pebsworth explains. Even more fortuitous is the fact Curry is now a tech support expert, so he was able to produce the album from his own home studio and handle all of the technical issues that arose during the process. Finally for the final recording Bauer and Pebsworth traveled to San Diego to record their tracks with Curry, mindful to maintain the adventurous spirit of the demos. “What was cool about having someone from the band produce the album instead of someone from the outside is the fact that we’ve been together for so long that if one of us says they don’t like an idea or they think it could be better, I’m going to be less defensive because I trust them and they’re my boys,” Pebsworth adds. </font></div><div><font face="tahoma" size="2"><br></font></div><div><font face="tahoma" size="2">That spirit of trust and camaraderie is present all over FunDayMental. From the distorted guitars and syncopated drums that kick off the energetic opener “Paint The Night Red” to the downbeat reggae vibe of the harmony-rich “In My Room” and the infectious feel-good grove of “Tuff Rudeboy,” FunDayMental sees Buck-O-Nine once again showcasing their innate ability to combine genres with ease while still maintaining their distinctive sonic identity. “We’ve always been considered part of the ‘90s third-wave ska category but we’ve always wanted to push ourselves and do new things that are fun,” Pebsworth explains, adding that this evolution is already obvious to fans of their difficult-to-categorize albums such as 1997’s Twenty-Eight Teeth and 1999’s Libido. “Ultimately we are seven different guys who all listen to very different types of music and I think that diversity really comes through on this album.”</font></div><div><font face="tahoma" size="2"><br></font></div><div><font face="tahoma" size="2">Pebsworth also stretched out on the album and used some of the tricks he learned making solo recordings under the name PEBS to take his writing and and impassioned vocal stylings to the next level. “Everyone in the band is getting up there in age and one of the cool things about that is as you get older you start to feel a little more comfortable in the world and less worried about things,” he explains when asked about how he approached the album lyrically. “You start to find a little bit more comfort in yourself and I think I was in a much better place when I was writing these lyrics than I’ve been in the past.” Correspondingly FunDayMental contains its share of love songs, including the album closer “Dust It Off,” which is about being mature enough to admit your mistakes and not let pride dictate your behaviors. “That song is really special to me because it’s very personal and centers around the idea of struggling when love is on the rocks and someone decides to leave and then they come back. You’ve got to dust yourself off and figure out how to make things right.”</font></div><div><font face="tahoma" size="2"><br></font></div><div><font face="tahoma" size="2">From the inspired re-recording of their 1997 breakthrough hit “My Town” to FunDayMental’s anthemic title track, there truly is something for everyone on the album—and you’d be hard-pressed to find a band who have a better time making music together. “These are the people I’ve spent the best years of my life alongside, so the opportunity to collaborate in the studio again and reconnect in that way was so rewarding for all of us,” Pebsworth explains.  There aren’t many bands that can maintain a consistent lineup for 28 years, let alone make a new album that sounds as inspired as the band did during their heyday. Thankfully, Buck-O-Nine have never been the type of band who follow conventions and their steadfast dedication to creativity is what makes FunDayMental such a satisfying listen.</font></div>

BORIS PELEKH (of Gogol Bordello) at Time Out Lounge

Permanent Vacation Presents: BORIS PELEKH, singer-songwriter from Gogol Bordello, plus special guests Charles Ellsworth, Phil The Band, and Whiskey Famine.

AGENT ORANGE at House Of Bards

Permanent Vacation Presents: Legendary So-Cal surf-punk trio AGENT ORANGE at House Of Bards in Tucson!

THE LAST GANG at Time Out Lounge

Permanent Vacation Presents: THE LAST GANG at Time Out Lounge - with special guests Reason Unknown, Winterhaven, Skeleton Army, and The Jena System - May 27th!

BUCK-O-NINE & MUSTARD PLUG at Nile Theatre

ABRASKADABRA at Time Out Lounge

PermVac presents ABRASKADABRA at Time Out Lounge - Friday, November 4th - with special guests Bowcat

AUTHORITY ZERO - Celebrating 20 Years of "A Passage In Time"

Permanent Vacation Presents the 20th Anniversary celebration of the album that put Arizona's own AUTHORITY ZERO on the map - "A Passage In Time". Special guests include Urethane, The Venomous Pinks, No Gimmick!

NEKROMANTIX at The Nile Theater

Permanent Vacation x The Nile present NEKROMANTIX at The Nile Theater - Tuesday, June 28.

MUSTARD PLUG

BUCK-O-NINE

OMNIGONE

TORN AT THE SEAM

General Admission

Permanent Vacation Presents the "In Defense of Ska Tour" featuring Mustard Plug and Buck-O-Nine, with special guests Omnigone and local support from Torn At The Seam.